In this article, especially in the light of cultural and objective reality phenomena in developed societies from the 20th century to the present day, evaluations/questions will be made within a process based on image within the scope of different and subjective perspectives on the works/artistic images of artists who have pioneered important changes and transformations of the perceived world. However, it can be said that images, which are a type of knowledge acquired from the sensible world for the subject/human and formed in his/her inner world thanks to the objective realities and phenomena of the external world in cultural and social conditions, are also the source of the formation of metaphors, concepts, symbols and indicators. In the process of artistic design/creation, the work that emerges in the process that takes place as a result of the re-processing of the information obtained as a result of the experiences of the subject/human as a result of a dialectical relationship with the objective reality phenomena of the external world, in the characteristics/conditions of his/her inner world, and again in the process of transferring it to the object in the external world is an image and (aesthetic) artistic. Therefore, from such a point of view, the works of Mondrian, Kosuth, Warhol, Kounellis and Küçüktepepınar were evaluated in an imaginary process with different perspectives in the characteristics of individual consciousness (subjectively).

Keywords: Image, abstract, metaphor, sign, signifier, concept, symbol, subject, perception, ımagination